Lagniappe Cinemas is producing another Mer$iless Myndz music video. With a fog machine on set, things can get a little hazy! Our artist Eterniti is channelling a Secret Agent Man persona. Somehow, the shoot reminds us a little of those old Unsolved Mysteries episodes from the 90s. Must be the fog machine. Video is being shot on a Canon 60D, the little camera that could!
Cue creepy music!
"The Killer is still on the loose!"
Check us out! We are planning on wrapping this video in January to work on a short narrative piece.
In 2006, my alma mater changed its name from USC School of Cinema-Television to USC School of Cinematic Arts. Why the change? School officials noted the emergence of video game and interactive media in the curriculum and felt the name change was best suited for the school's 21-st century image.
If you think about it, many amateurs already use video games to crossover in filmmaking. The so-called YouTube phenomenon known as machinima is similar to fan fiction in the early days of the world wide web. Unlike fan fiction, however, these video game fans usually make up their own characters and storylines, similar to an actual film production. The videos are staged, edited, and posted for other fans to enjoy.
Some games incorporate filmmaking into their gameplay, like the game I'm addicted to, The Sims 2. I already use The Sims to build families and set Sim A with Sim B so that Sim C can inherit Sim D's money when she croaks, so making a film with the game is not to large of a stretch. Check out the music video I made with just my game and that amateurish video editing system known as Windows Moviemaker.
The rotoscoping technique is back with a vengeance! From Kanye West's "Heartless" video to Charles Schwab commericals, the trend is picking up again. What is rotoscoping? Basically, it's the technique of animating or tracing over either live-action or other representations of people or objects. In its most basic form, all elementary school children have done it to "show off their art skills." You remember? Of course you do.
Rotoscoping is not only the art of making a subject look animated, but it is also responsible for greenscreen effects (Forrest Gump) and those doppelganger effects in some films (Eddie Murphy's Nutty Professor).
Luckily for the filmmaker on the budget, rotoscoping is alot easier and cheaper nowadays. The effect is easily achievable on a computer with high-end motion graphics software. Adobe After Effects is optimal, but you may want to try out some open-source software as well.
When shooting, keep these steps in mind:
You should plan for rotoscoping prior to reaching post-production stage, ideally, in preproduction.
Shoot your live-action in a neutral and uninteresting location, such as a soundstage. This will help maintain a clean rotoscoping without looking cluttered.
Pay close attention to light and shadow during the shoot. You don't want your subjects looking too 2-d!
Rotoscope only works if your actors actually act. Rotoscoping maintains a human element to what appears to be living 2-d art.
When editing:
Use a vector technique (such as the infamous "pen" tool) to draw around your characters or objects. Some programs can trace a subject automatically, but always check the accuracy first for a professional look.
This would be used as a matte, which you can use to onionskin (superimpose) your image to sync with the live footage. Your matte and your live footage should have the same frame rate.
For Kanye's look, you would need to flatten the colors of your actors. Stick to a limited palatte that creates a "pop art" look.
For the A-ha or the Charles Schawb look, draw a visible outline around the subject. Make the line as thick as you would like. Emphasize the lines, not the colors.
In both, resist the temptation to dramatically recolor actors' clothes.
Don't forget keyframes or rendering!
Practice before make significant changes to your rough cut.
For more great examples of rotoscoping, check out the master: Ralph Bakshi. His films like American Pop and Lord of the Rings inspired many filmmakers.
